Family on the walk by gulich_79
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Monthly Archives: September 2016
Another World – Another Time by annie7
Just playing around with another B&W. As you have probably guessed I took the sky from the dorset image and put it into this image as the original wasn’t very fitting for B&W.
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A seagull flying in the blue sky by freebilly
This is a photograph of a seagull flying in the blue sky with some clouds.
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Gran Sasso d’Italia – Abruzzo by Carmine_Chiriaco
Il Gran Sasso (o Gran Sasso d’Italia) è il massiccio montuoso più alto degli Appennini continentali, situato nell’Appennino centrale, interamente in Abruzzo, come parte della dorsale più orientale dell’Appennino abruzzese, al confine fra le province di L’Aquila, Teramo e Pescara.
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Into silence by pavelkozdas
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***** by Alexander_Vinogradov
Продаю видеоуроки по естественной ретуши.
studio: prosvet.space
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Bk: vk.com/vinograddik
alexandervinogradov.ru
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studio: prosvet.space
Fb: http://ift.tt/1RHEP2K
Bk: vk.com/vinograddik
alexandervinogradov.ru
Inst: http://ift.tt/1v9lbSZ
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Salita Imperio – Palacio de Cerralbo by neobit
Esta sala, en origen tocador de la Marquesa, se redecoró hacia 1900 como un gabinete de espejos que recibió el nombre de Saloncito Imperio. Su emplazamiento entre el Salón Vestuario y el Comedor de Gala permite suponer que fue un lugar de paso en el que se detenían las damas para arreglar sus tocados o reposar fugazmente en los cómodos divanes. Espacio alegre y luminoso, pintado en blanco y en rosa, alejado de la ampulosa solemnidad de las salas adyacentes, evoca la suntuosidad de los palacetes franceses del siglo XVIII y principios del siglo XIX. En él se recrea un concepto del lujo muy femenino expresado mediante los estilos rococó o Luis XV, neoclásico o Luis XVI y el estilo imperio en menor medida, tanto en la decoración como en el mobiliario; este eclecticismo es característico de las últimas décadas del siglo XIX. Boiseries con grecas neoclásicas configuran una ambientación a la francesa en la que abundan los espejos, de talla dorada o de cristal veneciano, colgados en las paredes y falsos chaflanes. Las consolas y el velador acogen un amplio repertorio de objetos ornamentales: relojes, jarrones, jardineras, candeleros y candelabros de bronce, cristal y porcelana. El diseño floral predomina en las cortinas, guardamalletas y tapicerías. En el interior de las puertas se encuadran los lienzos que pintaran para este ambiente José Soriano Fort y Máximo Juderías Caballero, artistas protegidos por el Marqués que colaboraron en la decoración del palacio de su mecenas. Las flores y las alegorías de las cuatro estaciones refuerzan con su belleza la singularidad de este saloncito que nació en homenaje a la marquesa de Cerralbo.
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This room, originally the Marquise’s dressing room, was redecorated around 1900 as a study with mirrors and was given the name ‘The Little Empire Room’. Its positioning between the Dressing Room and the Banquet Room allows us to assume that it was a place to pass through, where ladies paused to touch up their hairdo or rest briefly on the comfortable divans. A bright lively space, painted in pink and white, far removed from the pompous solemnity of the adjacent rooms, it evokes the sumptuousness of French mansions in the 18th and early 19th centuries. Here, a concept of very feminine luxury is recreated, expressed through the Rococo or Louis XV, neoclassical or Louis XVI styles, and to a lesser degree the Empire Style, both in the décor and the furniture; this eclecticism was characteristic of the late 19th century. Boiseries (paneling) with neoclassical borders comprise a French-style atmosphere in which mirrors abound, of gilded wood and Venetian crystal, hanging on the walls and mock chamfers. The console tables and the pedestal table are home to a wide variety of ornamental objects: clocks, vases, plant-pot holders, as well as bronze, crystal and porcelain candlesticks. Floral design predominates in the curtains, valances and upholstery. The paintings done by José Soriano Fort and Máximo Juderías Caballero, artists protected by the Marquis, who worked on the decoration of their patron’s mansion, are framed on the inside of the doors. The flowers and allegories of the four seasons heighten with their beauty the uniqueness of this small room which came about in honour of the Marquise of Cerralbo.
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This room, originally the Marquise’s dressing room, was redecorated around 1900 as a study with mirrors and was given the name ‘The Little Empire Room’. Its positioning between the Dressing Room and the Banquet Room allows us to assume that it was a place to pass through, where ladies paused to touch up their hairdo or rest briefly on the comfortable divans. A bright lively space, painted in pink and white, far removed from the pompous solemnity of the adjacent rooms, it evokes the sumptuousness of French mansions in the 18th and early 19th centuries. Here, a concept of very feminine luxury is recreated, expressed through the Rococo or Louis XV, neoclassical or Louis XVI styles, and to a lesser degree the Empire Style, both in the décor and the furniture; this eclecticism was characteristic of the late 19th century. Boiseries (paneling) with neoclassical borders comprise a French-style atmosphere in which mirrors abound, of gilded wood and Venetian crystal, hanging on the walls and mock chamfers. The console tables and the pedestal table are home to a wide variety of ornamental objects: clocks, vases, plant-pot holders, as well as bronze, crystal and porcelain candlesticks. Floral design predominates in the curtains, valances and upholstery. The paintings done by José Soriano Fort and Máximo Juderías Caballero, artists protected by the Marquis, who worked on the decoration of their patron’s mansion, are framed on the inside of the doors. The flowers and allegories of the four seasons heighten with their beauty the uniqueness of this small room which came about in honour of the Marquise of Cerralbo.
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The Spirit Island. by Bokehm0n
Processed with VSCO with e6 preset
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The Spirit Island. by Bokehm0n
Processed with VSCO with e6 preset
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Marvel Lake by KdKuiper
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